![]() In reality, that world doesn't remotely exist. In that perfect world, all instruments will sound flawless, with no extra bass or clashing frequencies. A world where our ears were only tuned to the soothing sound of music, and we never heard any breaks, cuts, or feedbacks. Running EQ before your drives can also work wonders.Imagine a world where sound systems produced sound signals with sound perfection. But if you move it to the front, only the dry signal from your guitar is recorded and then you can go nuts applying all different types of effects to it for lots of fun.ĮQ Pedal Before Drives: I didn’t mention EQs above, but most players will run them after their drives to shape the curve much like you would an amplifier. Looper First: Most players will position their looper pedal last in the chain to catch everything coming in. Tremolo At the End: We've made a big pitch for keeping it classic, but if you’ve never run a choppy tremolo after a spacious reverb or whacked-out delay, you’re missing out. If you’re looking for those classically gritty tones of yesteryear, you might just need a touch of spring reverb before your overdrive. It might take some tweaking-and subtlety is advised-but sometimes you have to "mess up" the order to get the sound right. Here are five examples of when to break the rules and why:ĭelay Before Distortion: Some of the most classic tones out there came from our heroes running delays into overdriven amplifiers. Experiment to find out what you can really do with what you’ve got, but do note: some fuzz pedals don’t get along very well with any kind of a buffer in front of them, so that may change your placement plan a bit.Īs we have reiterated throughout this article, sometimes it’s best to leave best practices and conventional wisdom in the dust. You can stack low-gain pedals into high-gain pedals (or vice versa) for escalating gain tones, or play with pretty much every other three-pedal combo you can imagine. After that, you can place a low gain drive to shape and boost that signal or that you can use by itself. ![]() One excellent way to get a killer lead tone is to run something like a Marshall-in-a-box type platform pedal for rhythm and then stack a fuzz pedal into it. How you do it should depend on both what you want to achieve and what sounds best to you. Others will vehemently declare the exact opposite. Some will swear that you should run low gain into high gain. Finding the right order comes down to personal preference. Most pedal junkies have at least two gain pedals on their board, often more. Not only will your tuning be more accurate, but you also won't have to turn off a bunch of other pedals to get a clear signal to the tuner. For instance, if you’re not using a noise reduction pedal, you could position it after your drive section to momentarily cut the noise from high-gain pedals earlier in the path.īut as a general rule, you’ll have an easier time tuning with as little in front of the tuner as possible. If you have a pedal tuner, the best spot for it is going to be at the beginning of your signal chain, though you can put it elsewhere. We encourage you to experiment with your board to find out what sounds best to you, but these basics are a great place to start. One thing it's important to note, however, is that best practices are general and might not always be the best order for your particular setup. ![]() While our pedal content here on Reverb tends to get into the weeds for the established gearheads among us, we thought it would be worthwhile to zoom out and tackle this topic for those in the nascent stages of their pedal journey.īelow, we'll offer some conventional wisdom and best practices on how to set up your pedalboard. "Which order should these effects go in?" is a common question that pops up on guitar forums fairly regularly. ![]()
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